Some Velvet Morning

Some Velvet Morning ©2019 -  The background image in this montage was captured in the area of Phillipsburg NJ shortly before crossing into Pennsylvania. While driving along, this lake caught my eye due to the hundreds of snow geese surrounding it or floating on it. Snow geese don’t like to travel without the company of another dozen or two and can form flocks of several hundred thousand, especially when flying south for the winter. They mate for life and at winter’s end fly north to their breeding grounds on the Arctic tundra. The great expanse of white feathers reminded me of a  beautiful black and white Paint horse I photographed near Pottersville NJ who would fit nicely walking along among the geese. The terms “paint” and “pinto” are sometimes both used to describe Paint horses but “Paint” is the breed and “Pinto” is actually the coloring. So, all Paints are Pintos (any spotted horse) but not all Pintos are Paints. The lady from my vintage photo collection was in reality looking down and reading what seemed to be a letter. So to insert her interactively into the composition, I removed the letter and photographed my own hand in the position needed to have her holding gently onto the horse’s mane as they strolled along the shore. To add a sense of mystery, I placed a young gentleman (also from my vintage photo collection) in the sunlight streaming through the trees across the lake. A small murder of crows was added flying from him to accompany the young lady and her menagerie.The final composition and lighting inspired the title “Some Velvet Morning”, a song written by Lee Hazlewood and originally performed as a duet with Nancy Sinatra in 1967. Hazlewood confessed he did not really know what the lyrics mean but that he was inspired by Greek mythology. The lyrics consist of the male part describing a mysterious, powerful woman named Phaedra, who “gave” him life and made it “end”. The male part alternates with the female who identifies herself as Phaedra and speaks over ethereal music about beautiful nature imagery and the secrets held by an unknown collective “us”.  So there I will leave the story or meaning to the interpretation of the viewer.   

The Beguiled

The Beguiled ©2018 - The inspiration for this piece came from a favorite illustration by Gustave Dore for Fables of La Fontaine in 1868 titled “The Rabbits” as well as the legend of the Pied Piper of Hamelin.  The background is a montage of two images taken two years apart in very different locations but blended together perfectly for the effect I wanted. Oddly enough, the rabbits (actually consisting of three rabbits in multiple poses) were captured in Pottersville, NJ, two of them on 7-28-18 and one on 7-28-17, same day, same town one year apart!  In Dore’s illustration, the rabbits are startled by a gun shot from a man hidden in the bushes with a rifle and scurry into the forest for protection. In my piece, the rabbits (and perhaps several crows) are being drawn slowly into the forest by the beguiling melody coming from the violin of the lady in white.  As the legend goes, in the year 1284, the people of Hamelin (a town in Lower Saxony, Germany) hired a piper (or flutist) dressed in multicolored (pied) clothing to lure away an infestation of rats with his magical pipe.  When they refused to pay for his service, he used his powers on their children, leading them away as he had the rats. While I’m not convinced my violinist has anything quite so sinister in mind, I’ll leave it up to the viewer as to the fate of “The Beguiled”.

The Skeleton Keys

The Skeleton Keys ©2014 - Often images will sit in my files for months or even years before I decide to use one in a montage.  This one, however, was inspired by 3 images taken on the same day coming home recently from one of my favorite annual antique shows in Pottersville, NJ.  I came across a small herd of young black angus bulls grazing in a pasture near the town of Lamington.  The contrast of their dark coloring against the bright green grass caught my eye.  As I approached to photograph them, they moved closer and closer together until huddled in a small group as a seemingly protective measure.  Suddenly, they collectively moved towards me, which made me somewhat nervous until I realized it was just out of curiosity!  It was one of those shots that became my base photo.  I wasn't crazy about the bright green field the bulls were in, so I placed them in a rolling field of golden grasses from Rte 206 in the Peapack Gladstone area.  Traveling on, I stopped to photograph some horses and captured a large flock of blackbirds flying overhead that I added to the sky.  Some clouds, a crescent moon, and some texture from an old daguerreotype provided an evening feel to the image.  Leading the herd is a gentleman from my vintage photo collection and just above, a beautiful crow that's been hanging out in my neighborhood.  For a touch of mystery, he's carrying off "The Skeleton Keys" I found in the basement of my house when I moved there in 1977.